Three Dances (1952) by Harry Partch

Notes

1. Samba—A DECENT AND HONORABLE MISTAKE
2. Heartbeat Rhythm—RHYTHM OF THE WOMB–MELODY OF THE GRAVE
3. Afro-Chinese Minuet—HAPPY BIRTHDAY TO YOU!

We begin this evening’s concert with the Three Dances that begin the third section of Partch’s Plectra & Percussion Dances (1952). The composer warned, “It’s an amazing fact that the world of dance music, and of Latin American dance music particularly, has produced an army of purists that is equal of anything that serious classical music can offer. I say this in order to advise you that the first scene, for example, “A Decent and Honorable Mistake,” may not be recognizable to you as a samba. The second scene, “Rhythm of the Womb, Melody of the Grave,” is based on a rhythmically contrapuntal heartbeat. The third scene, “Happy Birthday to You!” begins with an African-sounding marimba and somehow gets involved with a Chinese- sounding guitar in a pentatonic melody, and so I call it an Afro-Chinese Minuet.” This last dance ends with these directions: “Slowly enough that canon TRIADS are distinct,” after which they are to be played “faster than the previous runs so that the triads are NOT distinct.” The harmonies of each of those descending triads are wildly divergent, as if the composer is pausing to reminisce about various years past, but finally admits that as a 51-year old they are, in fact, a blur.

Partch Instruments:
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Additional Instruments:

Progressions (live at at REDCAT, June 2024)

Notes

Performed by PARTCH Ensemble at REDCAT, June 2024

Progressions

  1. Intro + Progressions Within One Octave (1942)
  2. Sonata Dementia: Abstraction & Delusion (1949)

In 1942, Harry Partch gave a lecture-demonstration at the Eastman School of Music in Rochester, N.Y. After introducing the now famous 43-note/octave scale on his newly created Chromolodian (sic), he proceeded to submerse the students in an extraordinary ear-bending sequence of chord Progressions Within One Octave that even today are capable of jarring the most seasoned Modernist sensibilities. Apologizing in advance that these auditory experiments, “…afford a little vision into a new world of musical resources—hardly more than a glimpse through a keyhole,” they turned out to be a peek into the future, as this music would soon become the opening of his Sonata Dementia (1949), exquisitely orchestrated with the addition of six newly built instruments. This performance was made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

This performance was also made possible in part by the Los Angeles County Board of Supervisors through the Department of Arts and Culture.

Instrument Discussions: Marimba Eroica

Notes

PARTCH Ensemble Artistic Director John Schneider discusses the Marimba Eroica with T.J. Troy, highlighting two distinct versions of the instrument designed by American Maverick composer Harry Partch, followed by an in-depth discussion of the construction, tuning, and performance issues surrounding PARTCH Ensemble’s own instrument, based off of Partch’s second design.

Public domain footage courtesy of The Internet Archive

This video is made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.