Reið (Raidō) II

Videos

  • Reið (Raidō)II [Ride/Journey] live at REDCAT, June, 2024

    Notes

    World Premiere by PARTCH Ensemble at REDCAT, June 2024

    “Reið (Raidō) II is the sixth in a cycle of chamber pieces I have been composing for the last several years where each work is associated with a specific ancient Runic symbol. “Reið (Raidō)” directly translates to “ride” or “journey.” A journey on horseback is implied, but this can also be interpreted as an experience which connects this life with the afterlife, or this realm with other realms of existence or consciousness. The repetitive and percussive nature of a galloping horse is often further associated with shamanic drumming that accompanies certain primordial esoteric practices. In my work Reið (Raidō) there are 3 groupings of instruments and players, conveying three types of microtonal tunings: a Chromelodeon, tuned to a 43-note division of the octave based on ratios derived from just intonation; a piano and a harp whose standard equal temperament is tuned apart by the difference of a 7th partial of the overtone series, or approximately in equal tempered 1/6th tones; and 3 percussionists who play a variety of indefinite pitched or noise-based percussion instruments. In this dramatic representation of both an ancient and futuristic ritual, these various tunings and timbres are utilized through a carefully controlled harmonic, motivic, and formal personal language, that unifies structure and architecture with intensity and expression.”

    — Jeffrey Holmes

    This performance was made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

    This performance was also made possible in part by the Los Angeles County Board of Supervisors through the Department of Arts and Culture.

Performances

Recordings

No recordings (yet…)

Composer

Reið (Raidō)II [Ride/Journey] live at REDCAT, June, 2024

Notes

World Premiere by PARTCH Ensemble at REDCAT, June 2024

“Reið (Raidō) II is the sixth in a cycle of chamber pieces I have been composing for the last several years where each work is associated with a specific ancient Runic symbol. “Reið (Raidō)” directly translates to “ride” or “journey.” A journey on horseback is implied, but this can also be interpreted as an experience which connects this life with the afterlife, or this realm with other realms of existence or consciousness. The repetitive and percussive nature of a galloping horse is often further associated with shamanic drumming that accompanies certain primordial esoteric practices. In my work Reið (Raidō) there are 3 groupings of instruments and players, conveying three types of microtonal tunings: a Chromelodeon, tuned to a 43-note division of the octave based on ratios derived from just intonation; a piano and a harp whose standard equal temperament is tuned apart by the difference of a 7th partial of the overtone series, or approximately in equal tempered 1/6th tones; and 3 percussionists who play a variety of indefinite pitched or noise-based percussion instruments. In this dramatic representation of both an ancient and futuristic ritual, these various tunings and timbres are utilized through a carefully controlled harmonic, motivic, and formal personal language, that unifies structure and architecture with intensity and expression.”

— Jeffrey Holmes

This performance was made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

This performance was also made possible in part by the Los Angeles County Board of Supervisors through the Department of Arts and Culture.

Scenes from Huxley’s Last Trip, live at REDCAT, June 2024

Notes

“LSD: Huxley’s Last Trip,” an opera with music by Anne LeBaron and a libretto by Gerd Stern, Ed Rosenfeld, and Anne LeBaron, charts the powerful cultural, political, and spiritual forces ignited by Albert Hofmann’s discovery of lysergic acid diethylamide. Represented by three sopranos, the LSD Trio (Love, Sex, and Death) embarks on a journey, encountering a diverse cast of characters influential in science, literature, entertainment, national security, and politics. The four scenes on this video represent about half of the opera. (For the remaining scenes, see “LSD: The Opera” on this YouTube channel.)

Performances took place at REDCAT in downtown Los Angeles on June 14-15, 2024.

Librettists: Gerd Stern, Ed Rosenfeld, and Anne LeBaron

  • Scene 1: Huxley’s Last Trip—Part 1
  • Scene 3: Double Helix: Soliloquy No. 1 (a twisted example…)
  • Scene 6: Three Lunches: Soliloquy No. 2 (Finnegan’s Wake)
  • Scene 8: Mary Meyer and JFK

The Cast (in order of appearance)

  • Aldous Huxley SCOTT GRAFF
  • Laura Huxley; LSD Trio (Death) AUBREY BABCOCK
  • LSD Trio (Love); Jackie Kennedy ANNA SCHUBERT
  • LSD Trio (Sex); Marilyn Monroe NELLE ANDERSON
  • James Watson; John F. Kennedy DOMINIC DELZOMPO
  • Francis Crick; Timothy Leary TODD STRANGE
  • Albert Hofmann; Marshall McLuhan JON KEENAN
  • Anita Hofmann; Mary Meyer MARIA ELENA ALTANY