Harry Partch’s Ulysses at the Edge of the World, originally written for jazz trumpeter Chet Baker and subtitled “A Minor Adventure in Rhythm,” also exists in multiple versions. In its 4th and final incarnation, the composer joined trumpet and baritone sax to honor the popular Chet Baker/Gerry Mulligan duo [he was a fan], replacing the initial double bass part with the Bass Marimba. Syncopations and time signatures of five and seven easily predate Dave Brubeck, culminating in a pithy punchline that features a cop arresting the titular homeless Greek hero for vagrancy.